Related Paintings of unknow artist :. | Portrait of Eleanor Frances Dixie, daughter of Wolstan Dixie, 4th Baronet | Paradiesische Landschaft und Erbsunde | Rear-Admiral Sir Thomas Graves | The Seven great prophets | The Last Judgment |
Related Artists:
John William Godward
English 1861-1922 Godward was a Victorian Neo-classicist, and therefore a follower in theory of Frederic Leighton. However, he is more closely allied stylistically to Sir Lawrence Alma-Tadema, with whom he shared a penchant for the rendering of Classical architecture, in particular, static landscape features constructed from marble. The vast majority of Godward's extant images feature women in Classical dress, posed against these landscape features, though there are some semi-nude and fully nude figures included in his oeuvre (a notable example being In The Tepidarium (1913), a title shared with a controversial Alma-Tadema painting of the same subject that resides in the Lady Lever Art Gallery). The titles reflect Godward's source of inspiration: Classical civilisation, most notably that of Ancient Rome (again a subject binding Godward closely to Alma-Tadema artistically), though Ancient Greece sometimes features, thus providing artistic ties, albeit of a more limited extent, with Leighton. Given that Classical scholarship was more widespread among the potential audience for his paintings during his lifetime than in the present day, meticulous research of detail was important in order to attain a standing as an artist in this genre. Alma-Tadema was, as well as a painter, an archaeologist who attended historical sites and collected artefacts that were later used in his paintings: Godward, too, studied such details as architecture and dress, in order to ensure that his works bore the stamp of authenticity. In addition, Godward painstakingly and meticulously rendered those other important features in his paintings, animal skins (the paintings Noon Day Rest (1910) and A Cool Retreat (1910) contain superb examples of such rendition) and wild flowers (Nerissa (1906), illustrated above, and Summer Flowers (1903) are again excellent examples of this). The appearance of beautiful women in studied poses in so many of Godward's canvases causes many newcomers to his works to categorise him mistakenly as being Pre-Raphaelite, particularly as his palette is often a vibrantly colourful one. However, the choice of subject matter (ancient civilisation versus, for example, Arthurian legend) is more properly that of the Victorian Neoclassicist: however, it is appropriate to comment that in common with numerous painters contemporary with him, Godward was a 'High Victorian Dreamer', producing beautiful images of a world which, it must be said, was idealised and romanticised, and which in the case of both Godward and Alma-Tadema came to be criticised as a world-view of 'Victorians in togas'.
Alonso Berruguete
(Alonso Berruguete) (c. 1488 - 1561) was a Spanish painter, sculptor and architect. He is considered to be the most important sculptor of the Spanish Renaissance, and is known for his emotive sculptures depicting religious ecstasy or torment. Born in the town of Paredes de Nava, Berrugete studied art under the tutelage of his father, the painter Pedro Berruguete. Following his father's death in 1504, Berruguete travelled to Italy to continue with his study of art, spending most of his time in Florence and Rome. It is here that he studied sculpture under the Italian Master, Michelangelo. His paintings produced in Italy showed a mannerist influence, with his art being compared with contemporaries such as Jacopo Pontormo and Rosso Fiorentino. Berruguete returned to Spain in 1517, and in 1518, was appointed to the position of court painter and sculptor by Charles V of Spain. From this point in his career forward, Berruguete concentrated on sculpture. Works of his include an altar piece at the Irish college in Salamanca (1529-1533), choir stalls at the Cathedral of Toledo (1539-1543) and a tomb for the Archbishop of Toledo Juan de Tavera at the hospital that Tavera founded, the hospital of St. John the Baptist in Toledo (1552-1561).
Knud Bergslien
(May 15, 1827 - November 27, 1908) was a Norwegian painter, art teacher and master artist. In his art, he frequently portrayed the lives of the Norwegian people, their history and heroes of the past. Bergslien is most associated with his historical paintings, especially Skiing Birchlegs Crossing the Mountain with the Royal Child. Knud Larsen Bergslien was born in Voss, in Hordaland, Norway. His parents were Lars Bergeson Bergslien and Kirsten Knutsdotter Gjelle. Knud Bergslien was the brother of sculptor Brynjulf Bergslien and uncle of painter and sculptor Nils Bergslien. Monuments honoring the three famous Bergslien artists now exist in Bergslien park located in Voss, Hordaland